Indeed, the stock comparison for the Predator is the Alien franchise, and for good reason.
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( Indeed, the latest sequel starring Michael Myers is critically outpacing The Predator.) It is not exactly an impressive track record for a reasonably big budget mainstream high-profile science-fiction franchise. This is the kind of showing that audiences and critics expect from low-rent horror sequels like those starring Freddie Kreuger or Jason Voorhees. Similarly, Predators is the only sequel with a vaguely positive rating on MetaCritic, scraping just over fifty percent. Of those five sequels, Predators is the only one with a positive score on Rotten Tomatoes. However, it is decidedly less impressive in terms of quality. That’s an impressive list, in terms of quantity and variety. Predator: Requiem, Predators and The Predator. So the Predator became the cornerstone of an impressive multimedia franchise even outside of games and comic books, the creature anchored Predator 2, Alien vs. Although modern prognosticators decry the modern era as one defined by sequels and remakes and reboots, but they have always been a feature of the landscape. After all, that is how the film industry works. It is no surprise that the Predator was quickly franchised. Predator narrowly averted disaster when Stan Winston redesigned the monster from scratch, so it is all the more impressive that it became such a classic. The original design for the creature is something of an internet urban legend, part of the pop cultural folklore. This is especially notable given that it could have been a disaster.
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Even people who have never sat down and watched a movie featuring the creature are familiar with the design. The creature created by Stan Winston for John McTiernan’s 1987 action blockbuster is instantly recognisable.
The Predator is one of the most iconic creations of the past thirty-odd years.
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